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Category Archives: Making Components

Jewelry Update

I felt like going through my photos for the past couple of months and compiling the bits of jewelry news and photos that I maybe didn’t already share, or only shared on Instagram or Facebook.

For instance, some beautiful components I bought from B’Sue Boutiques (seriously, the greatest quality over there) and I’m dying to play with:

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A series of Fluorite bangles which nearly sold out!

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Some pendants and earrings made from carved stamps (Tangled Impressions line) and organic molds (Organic Botanics line) – on the cards I designed for each line! Hoping to take these lines further.

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Some amazing pendants I did by forming slabs of clay over molds I made from Atlantic Ocean seaweed, finished with the Gold Rush crackle technique that I learned from Staci Louise, and a ton of colour:

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Oh right, these things! I filled the empty metal backs of torn-apart watches with Pebeo fantasy paints [Affiliate link if you’re interested: Pebeo Fantasy Prisme Discovery Set of 6 Assorted 20ml Honeycomb Effect Colors]… then glued them to spray-painted filigree pieces…

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…and wire-wrapped, of course!

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This display of five separate pendants at a show caused more than one person to ask if it was a single necklace. I think I need to figure out how to make that!

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Oh hey speaking of spray paint – having WAY too much fun with it… in desperate need of more filigree to paint!

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Finally, here’s me TOTALLY WORKING NOT USING SNUGGLEPUSS AS AN EXCUSE NOPE NOT ME NEVER

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Metal & Flowers

I’ve been spending a LOT of time sort of… avoiding the studio. It’s messy in here, my fibro has been acting up so that all I do is SLEEP, and honestly the winter was DEPRESSINGly long and gray.

But that didn’t stop me from buying ALL of the colourful supplies I could find! Especially when I received a royalty payment that was enough to push me up into the official best-seller list! Over 10,000 copies. I’m not a millionaire yet – royalties are surprisingly UNlucrative – but I still managed to get some gorgeous new colors:

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However, it’s only recently that I really DID anything. But once I got started – it was color-city!

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The beautiful mess of painting raw brass metal flowers with an experimental mixture of ranger patinas, lumiere paints, pearl-ex powders, and who knows what else!

I managed to get a couple of dozen flowers put together; I wanted to have finished jewelry of them to show you by today but that didn’t happen. I spent 8 hours doing inventory instead. Yay?

Anyway, here’s some pretty colored flowers to herald the (eventual) coming of spring! Hopefully I can show you some steamflowersiserpunker pendants soon :)

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Faux Roman Glass (Review)

The Blue Bottle Tree is an utterly irreplaceable source of knowledge about polymer clay. With wire, anything I see I can pretty much figure out how to do – but polymer clay is a mystery to me that I’m still unraveling, so I read as much as I can, and I buy tutorials every now and then as well.

I’ve actually shown you a few things from Ms. Ginger Davis Allman’s Blue Bottle Tree tutorials before – and she’s used my book to wire wrap her own faux beach glass and write a review of the experience – so you can sort of expect me to rave a bit about this tutorial.

Some of my rustic beads from a Blue Bottle Tree tutorial
Some of my rustic/organic beads from a Blue Bottle Tree tutorial

When I saw her Faux Glass Tutorial, I sucked air:

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This is a tutorial for SEVERAL type of faux glass – including carnival glass and beach glass – but what caught my eye was the amazing roman glass on the cover. For those of you who don’t know, recently some enterprising folks have begun digging up glass from the roman period and chipping it into beads. It is stunning in its aged glory.

Check out the real thing at this eBay auction:

REAL Roman Glass

 

So very stunning. And often, extremely expensive. So this tutorial made me REALLY excited. I jumped at it and, like the other tutorials Ginger has put out, it was worth every penny. I again learned new things I should have known or might have figured out if left with the clay long enough, but she made it just so simple and obvious.

First of all – the faux glass is a LENGTHY process, with a lot of steps. You… may not have noticed this, but I’m not a fan of things that take a long time or are too fiddly. I may never make another batch (unless they show themselves to be more popular than I expect!). But I am SO GLAD I made this batch! The multiple steps are absolutely essential to create the ancient, layered effect of the millenia-old glass beads.

Ginger’s steps are perfect to follow. I am a cook, not a baker, because I CANNOT follow steps – I have to read and re-read and re-read AGAIN… but this tutorial made it simple even for this poor global brain.

The Pardo clay, as promised, WAS a bit difficult to work with, but she gave me all the information I needed to keep from getting frustrated. And I am REALLY, extremely, so very happy with the end result.

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I’m not a BIG fan of the way I did the grey gunk – it’s too much. When/if I try it again I’ll do far less.  But I love the distressed look, and the iridescence, and it really does look like glass!

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When I was done I was stymied. NOW WHAT?! I had no idea what I wanted to DO with these. I sorted them into sets and then still couldn’t quite figure it out (been doing that a lot, lately). I had a vague idea that they would work well in a steampunk dangle set but I couldn’t really pull the trigger on that one. I ended up putting them away (which is why it’s taken so long to get this review up!).

Recently, they caught my eye again and I just barreled ahead. I picked through my bead stash and found some beads that really picked up the iridescence of the clay, and went to town.

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I think I like these little sets! And I KNOW that I LOVE this faux glass tutorial. I think you will, too!

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Organic Faux Ceramic (Polymer Clay)

Earlier this week, I found this post on pinterest, linking to Poly Clay Corner’s post on what to do with liquid polymer clay. This led me down the rabbithole to this post about faux ceramic. Such a beautiful result!

At the same time, I was eyeing my molding material out of the corner of my eye – I’d been waiting for summer to get some real live organics out of my silicon molding putty. So being me, I decided to combine the two ideas!

First, a little trip into the back yard for some leaves and tiny flowers and things. It was surprising how many I could find! I thought about it and figured a solid mold would work better for what I was aiming towards, so I pulled out my giant box of white sculpey and went to work.

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My first attempt at making a mold out of a flower!

Some organic material was left in the clay, but who could be mad when this plant came complete with its own curlicues?!

Check out those curlies!
Check out those curlies!

I did up a few different molds, then shoved them in the oven to bake. (Note: I finally got ceramic tiles! The only size was 3×6 but as it turns out – pretty well perfect for this!).

Ceramic Tiles full of molds to be baked
Ceramic Tiles full of molds to be baked

I figured I could scrub the organic crap out after they baked. Turns out – only sorta, but eventually the stuff pulled out onto fresh clay anyway. After the molds baked and cooled, I pulled out my Kato liquid clay and started to mix colour into it using a few of the only alcohol inks I had on hand (oh, my poor bank account is going to suffer shortly, I can tell). I used one of my new tiles as a mixing surface, which worked great – for a while. After a bit it started running together, so I used it to just mix new colours.

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Alcohol ink. I let it dry as per instructions, then mixed it in with my Kato liquic polyclay
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You should have seen the mess after I started making purple and brown and different greens….

But… it was time to start making shapes to paint. So I rolled out some clay, pressed in my stamps, and with delighted squeals I started cutting out ovals, squares, circles, and rectangles, placing them on my mini tiles and putting them aside (so convenient) until I had enough to start painting.

And then. The painting. Oh, the painting.

My first attempts at faux ceramic with tinted liquid polymer clay
My first attempts at faux ceramic with tinted liquid polymer clay

It was INSTANTLY addictive. I realized I was going to want to do this until my eyes bled (I pretty much did – immediately upon quitting at 9pm last night, I got a silent migraine aura and couldn’t see). And in that case, I was going to need a LOT more tinted clay. I looked around the studio and found these little food cups from the dollar store, and mixed up a chunk for each of my ink colours. Not a perfect colour wheel, but sure dang close!

Mixing up larger batches of liquid polymer clay
Mixing up larger batches of liquid polymer clay

So far as I know, this stuff doesn’t go bad, or even dry out, since it needs to be baked to set. I was able to spend a LOT of time futzing with my colours and even leaving the brushes out most of the day, they never got hard or gross. A wash in alcohol (since alcohol dissolves polymer clay) cleaned them up.

A rainbow of brushes
A rainbow of brushes

But what am I saying! BACK TO THE PRETTY THINGS.

More of my first tries
More of my first tries

These are two of my favorites – I love how the colour has melded together:

By this point I was hopelessly lost. i went back out and got MORE organics and made MORE molds so I could make more different pieces (see, this is why I couldn’t have a tattoo, I’d be a circus freak by the end of the week, covered head to toe in different ones).

Second batch of molds
Second batch of molds

This second batch was even more exciting than the first. I’d learned a few things along the way of course and while these aren’t perfect, they improved. And look at the super up close detail I was getting out of them!

Beautiful impressions
Beautiful impressions out of my next set of molds
Mold on left, impression on right
Mold on left, impression on right
Starting to get the hang of this coloring thing!
Starting to get the hang of this coloring thing!

These all got baked and they have a really beautiful texture – not quite matte, not quite glossy. Soft and lovely under the fingers. On a few of them, I heat set the first layer of colour to avoid bleeding; on others, I WANTED the bleeding.

I’m not sure how many trips to the oven I made yesterday but this morning, I wanted MORE. This time I hit the front yard, and I feel like this was the jackpot set of molds.

Organics for molds - batch three!
Organics for molds – batch three!
I mean really. Look at this!
I mean really. Look at this!

Such detail out of these ones.

Last night I found my brushes were all rolling into each other and they kept contaminating the colours. So I quickly rolled up a log and used a brush to make impressions along it, baking it with my last batch of the evening. This morning when I got set up, it was PERFECT.

Brush holder
Brush holder

I tried some orange today – it’s not bad, but I can do better.

Orange?
Orange?

My final pile is exciting and summery. I wish I had another week’s vacation to get these ready to sell! I think I’ll do a 4-strand braid in silver on these. Might make some brooches, definitely some earrings.

But without further ado: the final pieces! See how soft and not-quite-matte they are?

Faux Ceramic Final
Faux Ceramic Final
So many!
So many!
So colourful!
So colourful!
SO HAPPY.
SO HAPPY.

Rustic Gear Pendant Sets

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Super fabulous sets of necklaces and earrings! I had the most fun making these… molds made from actual clock gears used to create polymer clay medallions, hand coloured with chalk and gilded, or painted with metal paint and patinaed with chemicals, then sealed with a diamond-hard finish. I strung these on bead chain with hand-forged clasps and hand-made earwires.

Enjoy!

Metal & Patinas

Did you know that salt and vinegar can be used as a jewelry soldering “pickle” to clean off residue? Did you also know that salt and vinegar creates a killer metal patina mixture? And did you know that you shouldn’t mix the two because one ruins the other? Ha! I don’t even care, I just mixed up a new batch of pickle when I was done because check it OUT.

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OK, so some of the orange and all of the purple in that top photo were faked with paints and inks. But the blues and the rust – that’s real, and adding this layer of chemical reaction over artificial color gave me such a rush of satisfaction. Here’s how I did it a couple of weeks ago!

First, I dredged a big pile of shiny brass metal bits & bobs in my poor sad pickle pot (which needed serious cleaning after this!). I dragged it all out (wishing I had used a strainer or something… those tiny pieces were a nuisance) – and laid it out on a paper towel. Some of the pieces I spritzed with alcohol, having heard it can increase reactions. I then just…. walked away.

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The next day, it looked like this:

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Mostly blues with a few greens! All that nasty garish shine is gone, and that was REALLY what I was looking for.

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But I’ll sure take those gorgeous teals while we’re at it. The colours deepened the longer they sat, of course. Not sure if you can really see what’s going on but these are the buckets of pieces I ended up with for my steampunk jewellery.

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I had done a bit of metal colouring before this using patina paints and alcohol inks, and it was rather unsatisfactory – figuring what the hell, I can’t make them any worse, I dumped them all in too, and it made for a fantastic array of colours and textures. I’ll definitely be doing this again!

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I was using a patina product on my clay and some other metal pieces; I actually think I might like the cheap-o version better!

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On the larger, rougher pieces of course I’ll need a sealant; but for the tiny bits I’ll let them be. They’re pretty safe.

I do love it when something unexpectedly becomes beautiful!

Steampunk Polymer Clay Gears

Last weekend was my birthday weekend (yay me! and my mom, too, we shared the weekend) so I didn’t get into the studio. But I DID manage to play some more with moldmaking the weekend before. I had SUCH fun and I can’t wait to make more of these steampunk polymer clay gears. You know by now that colour is one of my driving forces, and just LOOK at these! The antique gold finish just makes it, for me.

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I rolled up and slightly flattened balls of clay and made impressions in the balls using actual gears my husband had torn out of a clock for me. I baked them and bam! Molds. So for these delicious pendants (which are waiting for wire), I rolled up more clay and used the new mold to flatten them out. Brushed-on clay gave the pieces their colour. I poked holes in the top of each and inset a grommet (really just a little rivet for scrapbooking) and baked. When they came out, they got a light fingertip brushing with gilder’s paste – I used “african bronze” for these – and after it set, I burnished the paste. Finally, two coats of varnish to seal and protect the finish.

Tomorrow is my last day of work before I get a 9-day vacation. You can bet your bottom dollar that I’ll be wiring up these suckers – and the tentacles, and the flowers I don’t even know if I showed you…. and and and!

Oooh, bonus pic: Some more rustic/organic beads made from my texture molds – this time coloured with paint!

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How to Make Polymer Clay Tentacles

I’ve found a super great use for these Sculpey ball tools and the Etch N Pearl tools: tentacles! Everyone keeps asking me WHY tentacles but basically it’s a steampunk thing – like Jules Verne and such. Also… COOL. And they’re SO much fun to make I thought I’d put together a little DIY instructions for you.

At first, I rolled balls and poked them onto a snake with a tiny ball tool:

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But it didn’t seem right. After some actual research, wherein I discovered that octopuses have TWO rows of tentacles, and some trial and error, I found a better way!

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So check out this wee tutorial:

Roll out a snake of any size and any type of polymer clay, thicker at one end. Don’t make the thin end TOO thin!

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Use the smallest inverted ball end of the Etch n Pearl stick to make a row of circles down one side of the snake:tentacles-2 tentacles-3 tentacles-4

The deeper you indent, the better it will look at the end!

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Do a second row of circles down the other side of the snake, which will be getting flattened and kind of pointy in the middle!
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OK here’s the magic part. Take the medium ball end of the sculpey tool:tentacles-8

And push it into the middle of the hole. tentacles-9

It will splay out the center like a sucker! OK this one isn’t so great and I messed up the second one… but you’ll see.tentacles-10

Continue down the row of suckers with the ball tool. Be sure to push it as straight down into the hole as you can – don’t angle it or you won’t like the results as much.tentacles-11

Look at how sucker-y the ones near the tip are!!tentacles-12

And of course – do the other side!tentacles-13 tentacles-14

Let the clay rest for a bit.tentacles-16

Curve the tentacles any which way you like – either flat on the baking surface, or wrapped around something like these soldered circles:
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Now there are options for colouring – paint or mica powders – but my fave is chalk! I like doing it darkest at the back of tentacle and lighter to the sides; brush it lightly down the suckers but keep it mostly white. tentacles-24  tentacles-27 tentacles-26 tentacles-25tentacles-22

Bake according to the package directions (use paper underneath to avoid shiny spots):tentacles-23

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And then finish with 2 coats of satin finish diamond-hard varathane. You’ll love it!

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Using Silicone Mold Putty for Polymer Clay

Earlier I showed you the beads I made from The Blue Bottle Tree’s tutorials (Rustic Beads and Organic Beads). Today I want to show you how these tutorials sparked me to go around putting purple goo all over my house!

Again, I can’t show you the exact details from someone else’s tutorial, but making your own silicone molds isn’t a big secret so check it out! I got the two-part putty from Michael’s in the clay section and have been going NUTS with it ever since!

My first few – concrete wall, bit of driftwood, and some manmade textures on the bench:

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Turns out that with the right mold, you can make pretty convincing driftwood! Oh and a sand dollar… hang on..

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The sand dollar is the neatest!Original on the left, mold in the center, my baked version on the right. It’s a little dirtier than I intended and I should have poked the hole all the way through, but still… that’s some seriously fine detail. 2015-02-15 10.40.44

The tiny driftwood piece worked so well I did a bigger one; but I am not sure I care for the final results. I haven’t done much with it yet. Below you can see how the silicone molding putty works. You literally just smush the two parts together, shove it into some texture, and walk away for a bit. Come back, peel it off, and BAM! Original texture. Oh man. So good.2015-02-15 10.48.12 2015-02-15 10.48.42

All those little bits of wood totally came right out – the silicone is completely non-stick. This was a very fragile piece of wood so I just tossed it after I got the texture.

I started digging through my beachcombed box and found an oyster shell and moonsnail shell too:2015-02-15 10.49.04 2015-02-15 10.50.40

Look at the HUGE pile of texture sheets I got out of maybe 1/3 of the package, just by poking around the studio and the basement! I CAN’T WAIT until spring so I can do leaves and organic bits. I’m happy to my face :)

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Making Rustic / Organic Polymer Clay Beads

I promise, there’s a wire explosion on the way. I’ve been spending the winter making components for some new wire-based jewellery, though, so today you get more clay!

The other day I bought these two amazing polymer clay tutorials (Rustic Beads and Organic Beads). They seemed a little expensive but the final photos looked great so I went for it. I read them Friday night and could barely wait until Saturday morning to go out and get a few new supplies! I tell you, after what I did yesterday and today, I would have paid TWICE as much for these tutorials. I learned not only big techniques but little tricks (like having rubbing alcohol nearby to get the clay off your hands).

Because this project was from a tutorial I can’t give you the details of how I got to the end – you should truly, truly, buy these for yourself. They’re mini books more than anything and have SO much information. It’s 8pm on a Sunday and honestly, I just wanna get back to the studio and do some more!

But here are a couple shots of what I made using the tutorial. I LOVE these beads.

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Clay & Beach Glass – Whoops?

Ever do anything super boneheaded? I’ve been sick this week but determined to make jewellery anyway. I didn’t have the brainpower for steampunk assemblage, so I figured I’d re-try my beach glass in polymer clay experiment. The earlier design won an award but didn’t sell much; I think because I used rare beach glass and the price was a bit high. So, I decided to make a bunch of common-colors – punching up the look with mica powders – and sell them at a lower price to offset the rare pieces.

First I used silver clay; I rolled it out and textured it, cutting out shapes to fit each piece of beach glass and adding clay bezels with individualized texture to each. I only had to take apart a couple to put the aluminum foil in!2014-11-15 09.11.37

Oops, then I realized they were supposed to be bendy – baked on spoons – or else the sheer flat backs stick to your skin and the silly things never sit right on your neck. So then I had to painstakingly move each piece onto the back of a spoon, fixing the breakage that inevitably happened when I moved them; and then I colored each piece with various mica powders, blending the colours right on the clay.2014-11-15 11.36.26

OK, baking time!2014-11-15 11.43.59

Wait. WAIT. I forgot to put the rivets in the holes! Aw, man. They’re less finished but I’ll figure something out. 2014-11-15 12.25.56

I even managed to shove rivets into some of the holes.

Second batch:2014-11-16 12.03.29

Pretty! I love the colours I managed to make… and I realized that the silver clay wasn’t the best choice – this batch is on black clay and the colours show up far better.2014-11-16 13.17.21

The middle columns are the silver clay – they’re just lacking in contrast and the texture is lost.2014-11-16 13.08.29

So, another unnecessary step due to being a bonehead: I put the first layer of varnish on, let it dry, brushed on some black acrylic paint, and wiped it off leaving it in the crevices. Left it to dry, then did the second layer of varnish to seal it in. Much improved, despite the blurry photo (also shown are some flat squares from earlier in the month that I varnished at the same time, destined for wire wrapping later).20141116_135329

OK, OK, they’re looking great. Time for another batch on black clay!20141122_111208

Fabulous! I baked them and I think they’re gorgeous…

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But… wait a second…

… awww man!! I forgot to put any holes in them AT ALL!! *facepalm*

What a knucklehead!

I’m not allowed to bake ANYTHING while sick ever again, especially not before noon.

I’m debating drilling them or possibly coming up with a wire-wrap solution.. the 4-strand braid might work… it wasn’t what I’d planned for them but hey, ya gotta roll with the punches, right?

Even when you’re a bonehead.

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Idea Overload!

Two weeks ago I had some vacation time, and my younger brother and I headed out across our wee island in search of rusty crap. It was a gorgeous summer day, warm but not so hot we needed the A/C so all the windows were down and everything smelled like heaven – pine and hot sand and salt air and just… fresh and wonderful. If I could bottle all of those summer smells for you, I would! As it was, I was too enthralled to even take a single photo the whole day. Remember what it was like to live your life instead of recording it? It was delightful and I’m happy I have the memories even without being able to show you.

But I CAN show you what I found on our little treasure hunt!

Apparently, most of the antique places in Cape Breton are clustered around the middle, so we plotted a course and headed out. First stop, Baddeck. I got a few fun little pen nibs, some random metal bits, and some old keys, really big delightful ones that my locksmith dad was super impressed by – he says they were probably for great big doors.

Keyyyyyyyyyys

Next stop, the Garage Loft. An antiques shop above a literal auto shop in the middle of a gorgeous wood off a rural road, you get in by walking up a hill behind the shop and then across a few planks over a gap between the building and the hill, and then you’re in the loft! The first thing I see? This delightful wall of tools. I bought some calipers which I can see as the basis for a fantastic necklace.

Calipers and... I dunno?

And a great little metal measuring tape, which I took apart, cut off the inside-most ten feet, and put back together so it’s still usable.

A great old chunk of tape measure

I spoke to the owner and he dug out the inside of an old clock, plus the beat-up clock face. My husband is going to have fun tearing this apart!

The whole inside of a clock. It still moves!

The front of a rusty old clock

Then I came across a lovely, unsorted (my fave) box of old horse tackle. The wheels are turning with these suckers!

Horse buckles and such!

Moving along, we found a house that’s been converted into “antiques and art”, with an artist in residence upstairs and so many old typographer’s cases – some with the metal type still inside – that I was almost weeping at being too broke for any of them. My brother bought some local fiddle CDs and the guy at the desk said hey, there’s another building up back – just follow the path.

So, we traipsed up the garden path, past someone’s front door, to a garage – with a blue door – full of more tools and delights. First thing I see? A box full of more keys (the small ones are in the photo above). Next thing? A BOX OF CLOCK GEARS. A whole box. So. Many. Gears. And not little ones, either, these are 2, 3 inches across. It was like I’d won the lottery. But… I was running out of cash! It was 3:30pm on a Saturday! I was in the middle of nowhere! I was counting out as many as I could afford and finally just took the whole box back down the garden path and made an offer – which he accepted!

A BUNCH of clock parts! These are HUGE.
MINE. ALL MINE.

Last place on our list was up in Margaree, further than we’d planned to go but the day was so gorgeous there was no way we were stopping now. And I’m so glad we went! At first I wasn’t sure there was anything for me, but I found a pile of leatherworking tools I thought would be great for clayshaping.

Leatherworking tools

As it turned out, they were part of a set of other leather tools and whatnots which, since I’d bought a pile of leather belts the week before (yet another project I haven’t had time yet to start), I thought what the hell, and bought the lot!

More leatherworking tools

Then we had some delicious meatball subs in Inverness (ok my brother had a lobster one, but: ew), waded through the water at the beach, and tiredly made our way back home.

But I’m not even done! My lovely friend was going through some inherited jewellery, and gave me a box of things she didn’t want/think were useful.

Jewellery castoffs from a friend!

The patina on that silver belt alone is swoon-worthy.

I’d also ordered a few things on Etsy, and they showed up too:

Bottle caps!

Gnarly pen nibs - some used

Random rusty bits

 

So with all of this new material, plus all the sketching I’ve been doing (more on that later), and a rainy vacation with my husband out of town, you’d think I’d be showing you a bunch of finished jewellery next, right?

Well, now we come to the title of this post: idea overload. With the hot mess my studio was in and the sheer number of thoughts running through my head, I was the most ADD I’ve ever been: start this project no wait clean this section no I can’t do that now I’ve got to put these away oh but look at the project I can do with these oh but I need to make earrings for the shop but I can’t do work I have to clean but these things need to go away but I don’t know where they go aaaaaaaaaaa… and I just actually walked away.

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Aieeee!!!

I’ve since got the mess somewhat under control, and some production work, including a wholesale order, sort of where it should be. I’m hoping by my next vacation – two weeks! – I’ll be able to actually show you something delicious.

Cross your fingers for me!

Components, Not Jewellery

New Steampunk Components

I hit the flea market & value village a couple of weeks ago. What a jackpot! Got a pile of watches for Laird to pull apart for me, some vintage and new earrings and chain, some metal bracelets I’ll use as the base for some steampunk pendants, and a little surprise….

New Steampunk Components

New Steampunk Components

New Steampunk Components

… Belt Buckles! Not sure if it’s going to work but I plan to wire some clock parts and vintage bits to these and see if we can make some nifty jewellery!

Polymer Clay

Clay!

I’ve been itching to get back into polymer clay for quite some time, and this past week I finally pulled it out and had the most fun with it! I had all these teeny tiny watch parts from when Laird tore apart a bunch of watches for me and there were just so many that I really couldn’t use… they’re so small they either can’t be attached or they get lost within the design. So I’ve been collecting them in little watchmaker’s cases for a while now.

However, they’re perfect for pushing into clay! I wasn’t sure what kind of shape to make – I knew I wanted to create some kind of animal look like it had been made out of metal in Victorian times but it took a while to hit on the nautilus/snail shape. They were super fun to work on.

I made a bunch and then tried some hearts, which worked out OK but Laird pointed out that they were taking me forever to make, so I thought for a few minutes and figured out that the watchmaker’s cases made perfect circular cutters, so I made a bunch of those quickly to try and even out the time I’d spent on the more sculptural pieces :)

Clay!

I varnished them after baking and will wrap them after. So there’s more to come!